Showing posts with label Expanded. Show all posts
Showing posts with label Expanded. Show all posts

Sunday, July 28, 2013

SPAZ reviews ROMAN HOLLIDAY's Cookin' On The Roof reissue on Cherry Pop!



ROMAN HOLLIDAY

COOKIN' ON THE ROOF
(Expanded Edition)



I remember very vividly the first time I heard Roman Holliday.  I was at Camel Records in Huntington Beach looking through their new releases and I happened upon the imported (from the UK) 12" single for "Don't Try To Stop It".  Up to this point, the band had never even entered my radar.  But I was intrigued by the unique retro look of the band and I believe that I immediately thought of both Madness and JoBoxers. While I didn't know what to expect musically, I took a chance and bought the single.  And even though I had limited funds, taking chances on bands is what I always did in those days... and still do to a certain extent. When I got home after a few hours of record shopping, the first thing I threw on was "Don't Try To Stop It".  I was an immediate fan.  Their sound was energetic, fun, melodic, punchy and had a Swing vibe to it, which was certainly not the norm in 1983. (In fact, it would be another decade before a Swing revival would be in full...er... swing!) A month or two later, the song was in constant rotation at KROQ along with their other two singles "Stand By" and "Motormania", all three of which had been combined to create their self-titled debut American EP. 
     So, later that year, the band released their debut album, Cookin' On The Roof, and it was - and remains - one of the truly great Pop records of it's day.  While I don't know what went on behind the scenes, record-company wise, I have never felt that the band's image and music was contrived or manufactured during this period.  These guys were great musicians, knew how to write a snappy, catchy tune and they were fully aware of Pop music history.  Their love of what they were doing bleeds through on Cookin' On The Roof. Their musical angle at this point focused on Swing Jazz complete with a horn section.  Frontman Steve Lambert was a Pop vocalist who was more than able to hold his own in this musical setting, but it was also a bridge between the then-modern Pop scene and the Swing orientation of the band. Peter Collins' production is very busy and at times a little too confining for the seven piece band, but he does add his usual flair to the proceedings and the album is tight and to the point.  There is not one song that overstays it's welcome. Apart from the aforementioned singles, the original album also features eight additional gems including "I.O.U", "Serious Situation", "No Ball Games" and so many more.  A spirited and sprightly treat from beginning to end. 
     In a sense, its really hard to convey the 'feeling' that I have for this album.  Words can express my thoughts, but an album like this really meant something then and now.  It may not have offered solutions to life's mysteries or cured the ills of the world, but it sure made it far more tolerable... and blissful!  The innocence of the band's image and sound offered excitement and hope. Theirs was a happy sound without any sign of pretentiousness. Roman Holliday seemed to live and breathe their music. They reached back into the past and brought some great Swing and Jazz elements to the music while also keeping it Pop-oriented and accessible to a new generation of listeners who hadn't been exposed to much Swing before.  They were unique and fun, which was what really made them stand out in a sea of or bands content with following trends and making music that was dictated by whoever was in the Top Ten at the time.  The only other bands that were carving out their own niches at the time were Dexys Midnight Runners, JoBoxers and few others.  
     Sadly, it didn't last long. A year later, the band had dumped the horn section and re-fashioned themselves as Duran Duran-lite.  They lost their uniqueness, their innocence, their joy and their spirit. The album they released in '84, Fire Me Up, was not bad.  But it was an album that could have been made by anyone else at the time.  Cookin' On The Roof, on the other hand, was something entirely different and entirely wonderful.
     This remastered reissue is much better than the Japanese CD that was released and deleted more than a decade ago, so stop searching for that and buy this one.  Why?  Because this annotated reissue also contains six bonus tracks including two non-album b-sides ("Round And Round" and "Beat My Time") plus extended and acapella versions of "Don't Try To Stop It" and "Motor Mania".  If that isn't enough to make you run out to your local shop or order online, then perhaps you need to rethink your lot in life and find your 'happy place'.  Perhaps you should spend more time 'cookin' on the roof'!?  




Peace, love and pancakes, 
Stephen SPAZ Schnee

Friday, July 12, 2013

ROMAN HOLLIDAY/Cookin' On The Roof: Digitally remastered and expanded edition due on July 30th, 2013!



ROMAN HOLLIDAY

COOKIN' ON THE ROOF
(Digitally Remastered & Expanded Edition)

7.30.13







Finally!

Like JoBoxers, Dexys Midnight Runners, Haircut 100 and a few other bands, Roman Holliday stepped outside the box when creating music.  The guys in RH wrote a set of crackin' Pop tunes that other bands would kill for.. However, instead of slashing away at guitars or plonking a few keys on the synthesizer, they added a Swing beat, some horns and put out a top notch debut album in 1983 that pre-dated the Swing revival by about 10 years!

With two non-album b-sides (which I believe were on the U.S. cassette?) as well as two acapella versions and two remixes, this is going to be amazing... 


·         ROMAN HOLLIDAY were an early 1980s pop band who mixed swing jazz into their sound to great effect.

·         In 1983, the band scored a memorable hit single with ‘Don’t Try To Stop It’, which peaked at No. 14 in the UK and made the US Billboard Top 75.

·         Debut album COOKIN’ ON THE ROOF reached the UK Top 40 and also graced the US Billboard listings, opening with their hit but also including the band’s earlier, minor hit ‘Stand By’ and subsequent Top 40 hit ‘Motormania.’

·         This is the first time that COOKIN’ ON THE ROOF has been on CD in the UK (it was only previously issued in Japan). It’s remastered from the original tapes with six bonus tracks.


·         Original members of ROMAN HOLLIDAY are helping out with this long-overdue reissue, contributing rare photos and pictures for the booklet as well as being involved with the sleeve-notes.

Tracks: 

1.     DON'T TRY TO STOP IT
2.     MOTOR MANIA
3.     I.O.U.
4.     JIVE DIVE
5.     MIDNIGHT BUS
6.     COOKIN' ON THE ROOF
7.     STAND BY
8.     NO BALL GAMES
9.     FURS 'N' HIGH HEELS
10.   SERIOUS SITUATION
11.   ONE MORE JILT

BONUS TRACKS
12.   DON'T TRY TO STOP IT (Acapella)
13.   ROUND AND ROUND
14.   MOTOR MANIA (Acapella)
15.   BEAT MY TIME
16.   DON'T TRY TO STOP IT (Extended Club Mix)
17.   MOTOR MANIA (Extended Club Mix)


Thursday, May 30, 2013

GEORGE McCRAE Rock's Your Baby! The Soul/Disco Legend On BBR Records!


GEORGE McCRAE:  

The Reissues 

On BBR Records


"Woman, take me in your arms, rock your baby..."

For a song that's nearly 40 years old, "Rock Your Baby" by George McCrae has continued to live on and remains one of the biggest One Hit Wonders in the history of Rock, Soul, Pop and R&B. Not only that, it's one of the earliest and most popular Disco songs of all time. Those of us who were around when it was first a hit in 1974 remember it well, yet, surprisingly, there are also young teens today who are just as familiar with it thanks to it's longevity on oldies radio stations (yes, even on the internet). But does anyone remember any other hits from George McCrae?  No?  Has anyone bothered to give anything else a listen apart from the hit?  Did you know that he actually released some mighty fine albums?  No? Well, that's a real shame... but never fear - that's why SPAZ is here!



   
As you probably figured out, 'the hit' is on this album.  While many are only familiar with the single version, which is way too short at 3:19, the album opens with the full length version that, even at over six minutes and nearly double the length of the radio edit, is still too short! "Rock Your Baby" is pretty much the perfect Pop/Soul/Disco song, which is why the song continues to attract so many new fans with each passing year. What may surprise many folks is that the song was written by - and features musical assistance from - Harry  'KC' Casey and Richard Finch, the two men responsible for KC & The Sunshine Band, who wouldn't hit it big until the following year.  While the rest of the album doesn't deviate too much from the "Rock Your Baby" formula, it's jam-packed with great tunes (all of which are Casey/Finch originals). Songs like "You Can Have It All", "I Can't Leave You Alone (I Keep Holding On)", 'I Need Somebody Like You', and 'Look At You' are amazing slices of proto-Disco that are just as hook-filled as they are groove-alicious. With a reprise of "Rock Your Baby" ending the original album, it's a great album that showcases George's amazing vocals and the skilled songwriting of Casey/Finch.  Add single edits of "Rock Your Baby" and "Look At You" as bonus tracks, and you've got the perfect introduction to the world of George McCrae.  Hell, any CD that has a total of three versions of "Rock Your Baby" is tops in my book!







You know the saying: "If it ain't broke, don't fix it".  Well, the music business lives by that credo and when it came time to record his second album, Casey/Finch were back writing all the song and playing on them as well. Oh, and producing the album, too!  So, while they follow the same formula as the previous album, the production is warmer and fully realized, giving the instruments a little more breathing room.  And while there is no song as glorious as "Rock Your Baby", the album is still a wonderful slab of hook-laden proto-Disco. Album opener "Baby Baby Sweet Baby" paves the way for another album of groove-laden Pop/Soul tunes that definitely fall into the 'feel good' category. If you walk away from an album feeling good, then that is more than have the experience.  There is plenty of joy on display here and that is what matters most -well, apart from the good tunes, of which there are plenty.  As on his previous album, this self-titled platter is only interested in love, sex and a good time.  Tracks like "You Treat Me Good", "Honey I (I'll Live My Life For You", "I Ain't Lyin'", "You Got To Know" and "Take This Love Of Mine" are tasty treats that bear repeated listenings.  So why weren't any of them hits?  I have no idea...






With his third solo album due and Casey & Finch now busy with KC & The Sunshine Band, McCrae teamed up with songwriter/producer Gregg Diamond, who was best known at that time for writing and producing the massively successful single "More More More" by The Andrea True Connection.  While this seemed like the perfect match, McCrae gets lost in what is essentially a Gregg Diamond Disco album.  Yes, it's catchy, upbeat, fun and extremely worthwhile, but George isn't given the time to shine on Diamond Touch like previous albums.  Yes, he still sounds great and the songs are great, too, but the focus has shifted away from McCrae and, since it's HIS album, that's kind of hard to handle.  Still, its great fun and deserves a spot in your ever-growing George McCrae collection.  High points include "I'm Gonna Stay With My Baby Tonight", "Givin' Back The Feeling", "Dancin' Through The Storm" and and the Philly-Soul inpired "Loved And Lost". 



George McCrae may have only scored one MASSIVE hit, but there was far more to the man than that one hit.  There is plenty of proof here, within these grooves, that he should have scored more hits, but I suppose just having "Rock Your Baby" listed on your resume is not a bad thing. Not at all. 

Rock your baby,
Stephen SPAZ Schnee

Wednesday, April 3, 2013

SPAZ reviews IAN McNABB's Head Like A Rock (Expanded 2CD Edition)





      Former ICICLE WORKS mainman IAN McNABB has created some of his best music since the band split up in 1991.  While the Liverpudlian trio were one of the best and most versatile bands of the '80s, they are best remembered for their self-titled debut that featured the UK hit "Love Is A Wonderful Colour" and the glorious "Birds Fly (Whisper To A Scream)".  While other lesser bands achieved fame and fortune, McNabb and bandmates Chris Layhe and Chris Sharrock recorded some amazing albums and singles, all of which have been reissued in expanded form over the last few years. Finally, Ian's solo catalog is getting the attention it deserves, beginning with his best-selling 1994 album Head Like A Rock, which earned a prestigious Mercury Prize nomination (although I believe M People won that year).

      On his 1996 album Merseybeast, McNabb penned a track called "I'm A Genius" and, to be honest, that's not far from the truth!  Wearing his influences on his sleeve, McNabb has been able to channel The Beatles, T.Rex and Neil Young (amongst others) into a piping hot brew of intelligent Rock 'n' Roll without forsaking his own musical identity.  He's a master songwriter, guitarist and vocalist, filled with passion and intelligence that is seldom heard in music these days. Whether he releases an acoustic-based album or a full out rockin' record, McNabb is one of the UK's finest songwriters and performers. He brings more confidence and swagger to his performances than Johnny Depp as Captain Jack Sparrow!



      With Head Like A Rock, Ian not only released the best Rock album that Neil Young never recorded, but he did it with the help of two members of Young's part-time backing band Crazy Horse (bassist Billy Talbot and drummer Ralph Mollina).  But the album is not a Neil Young pastiche: it is a loud and thunderous musical statement from Ian McNabb.  From the stunning opener, "Fire Inside My Soul" (which, at 8+ minutes is still too short) to the beautiful Gospel-tinged album closer "May You Always", Head Like A Rock is a flawless album that not only beats you senseless in it's guitar-fueled power, it also reaches deep down and wraps itself around your heart and soul.

     "You Must Be Prepared To Dream" is a true Rock 'n' Roll anthem for this generation.  While McNabb may not approve, I'm surprised that it hasn't been used to help sell cars or other necessary 'evils' in this world. The lyrics are as inspiring as anything McNabb may have been influenced by: "You're going where the sun beats down/On previously barren ground/You're going where the blue sky meets the ocean/You're going to a special place/It's written all over your face/But you must be prepared to dream".  If it won't motivate someone to buy a car, perhaps it will inspire them to follow their...er...dreams.

     "This Time Is Forever" is a beautiful slice of Country Rock.  "Sad Strange Solitary Catholic Mystic" is built around gorgeous, atmospheric Beach Boys-like harmonies. "Go Into The Light" is as funky and soulful as Rock can get. Oh, I could go on and on... this is one hell of an album.

     The bonus CD contains an additional nine b-sides including three rearranged Icicle Works tunes that are mostly acoustic and far more intimate than the original recordings ("Love Is A Wonderful Colour", 'When It All Comes Down" and "Stood Before St. Peter"). The remaining six tracks include non-album rockers, an acoustic track and a remix.  All of them are worthwhile and only add to the glory that is Head Like A Rock. My only complaint would be that they didn't include the shorter edit of "You Must Be Prepared To Dream" but that is about the extent of my moaning!

     So, now you know the truth, why aren't you heading down to your local shop to buy this.... or clicking THIS link that I've so kindly provided?

     Oh, and visit Ian at www.ianmcnabb.com and purchase his last few albums as well.  He's a genius.  There, I said it.

Tuesday, March 19, 2013

GEORGE CLINTON/Computer Games: Expanded reissue coming May 7th, 2013!




Digitally remastered and expanded edition of this 1982 solo album from Funkadelic and Parliament leader George Clinton. Over a year after his P-Funk empire had crumbled, Clinton gathered the troops together and recorded this album that includes the genre-defining 'Atomic Dog', one of the most sampled tracks in R&B history. Features seven bonus tracks including single edits, extended mixes and instrumental versions of album tracks. Liner notes written by Discussion Magazine's Stephen SPAZ Schnee. 

Thursday, January 3, 2013

IAN McNABB/Head Like A Rock (Deluxe Expanded 2CD Edition): Available February 5, 2013!





Who is Ian McNabb, you ask?  Well, first off, you should be ashamed of yourself for not already knowing.... but since you asked...

Ian McNabb is one of the UK's finest singer/songwriters.  From his amazing releases in the '80s with The Icicle Works to his inspiring solo work in the '90s and beyond, McNabb has not released anything resembling a bad record.  While Oasis, Blur and The La's may have garnered all the praise in the days of Britpop, Ian McNabb was making records that were better and far more consistent than those made by his commercially-accepted contemporaries. 

One of those albums, Head Like A Rock, is receiving the deluxe treatment from Cherry Red, which is pretty awesome.  There's a remastered version of the album plus a bonus CD that contains 9 bonus tracks.

Read the sell sheet info below and get yourself caught up.  Its McNabb time!

After the Icicle works split up Ian went solo and signed for Andrew Lauders This Way Up Label after releasing the well-received Truth and Beauty McNabb was allegedly inspired to a rockier sound by the engineer who mastered that record, telling him "Aye, Ian, your rocking days are behind you." Legend has it that McNabb went back to his home in Liverpool, and recorded a demo of what would become the coruscating opener of Head Like a Rock, "Fire inside My Soul".


 Label boss Andrew Lauder then suggested that McNabb go to record in America, which McNabb was sceptical about. He facetiously suggested to Lauder that his new material sounded like Neil Young and Crazy Horse, and if Lauder could get Crazy Horse to play on the record, he would go to America. A few phone calls later, McNabb found himself in a Los Angeles studio with Crazy Horse drummer Ralph Molina and bassist Billy Talbot. This cast-iron rhythm section appeared on four of the ten tracks on Head like a Rock, including the No. 54 UK hit "You Must Be Prepared to Dream". The album's other single, "Go into the Light", did not feature Crazy Horse and peaked at UK No. 66.


Head like a Rock was subsequently nominated for the 1994 Mercury Music Prize, and although M People would end up taking the award home, the attendant publicity surrounding the award-nominated album propelled Head like a Rock into the UK album charts, where it peaked at No. 29.


Tuesday, November 13, 2012

NAKED EYES: Burning Bridges: First time on CD! Available December 4th, 2012!







Digitally remastered and expanded edition of the British Synthpop duo's debut album (which was later rejigged and retitled Naked Eyes in the U.S.). Burning Bridges featured singles that charted on both sides of the Atlantic. Their cover of the Bacharach & David classic 'Always Something There To Remind Me' peaked at #8 and its follow up 'Promises Promises' reached #11 - both in the U.S. Hot 100 chart. This special edition contains 12 tracks from the original album plus six essential bonus tracks. The bonus material features two 12" versions of 'Promises Promises' including Jellybean's extended version featuring his - then unknown - girlfriend Madonna on backing vocals. Tony Mansfield's American Remix of 'Always Something There To Remind Me', the US 7" remix of 'Promises Promises' and two b-sides 'Pit Stop' and 'Sweet Poison'. This release has been made with the full co-operation of Pete Byrne - the surviving member of the band.